The Ultimate Engagement of Vertumne
News Article: Immortal Figure from 16th Century Painting Teleported to Modern-Day France
In an extraordinary turn of events, a character from Giuseppe Arcimboldo's 1590 painting, Vertumne, has been teleported to Montreuil, France, in the year 2025. The painting, a revolutionary piece of art ahead of its time, depicts Vertumne as a portrait of Emperor Rudolph II, symbolizing Vertumne, the god of nature and seasons in Roman mythology. Arcimboldo's unique style involves creating human faces with fruits, vegetables, or animals, giving Vertumne a surrealist touch.
The teleportation was initiated by the French newspaper Libération, but the specifics of how and why this occurred remain unclear. Upon exiting the metro, Vertumne found significant changes at the town hall of Montreuil, leaving him feeling confused and disoriented. Vertumne had promised himself he would never return to this world, expressing his thoughts as a mistake and considering turning back.
However, Vertumne's mission in 2025 seems to be connected to a friend, Micheline, who lives in the Les Grands Pêchers estate. Micheline's request is related to the preservation of the last cherry tree in the estate, a cause that Vertumne, an activist known for his lifelong dedication to defending others and good food, may find compelling.
Despite spending his life defending others and finding a hideaway in a village in the Cévennes, Vertumne now finds himself in the Place Jean-Jaurès area, sixteen years after leaving. The immortal figure from the 16th century painting has been thrust into the future, and it remains to be seen how he will navigate this new world and fulfill his mission.
Sources:
- Giuseppe Arcimboldo: Vertumne
- Vertumne (painting)
- Arcimboldo, Giuseppe
- Vertumne (mythology)
- Libération
Intrigued by the technology and the possibilities it presents, Vertumne examines the modern devices surrounding him, notably those involving artificial-intelligence, as he ponders his new reality. Unfamiliar with the advancements in art throughout the centuries, Vertumne contemplates visiting an exhibition dedicated to artificial-intelligence, hoping it might offer insights into this strange new world.
